Manny Busted

By a funny coincidence, the day after I choose to write a post about Manny, he tests positive for illegal substances. I couldn't have made my timing any better.

It's a bit too soon to tell what the city's reaction will be at this point; the sports pundits seem to agree that it is a shame for the Dodgers, that he is just another in a recent history filled with baseball stars relying on outside help to gain an edge over the competition. But what does Joe Dodgerfan think?

Those purchasing their Mannywood tickets for $99 can't be too happy. Will he go to the game anyway? Will he decline to root, root root for the home team, or just sullenly complain about the replacement from the stands?

Mannywood

Not surprisingly, the LA Dodgers have found a creative way to capitalize off their new favorite player, Manny Ramirez. Fans choosing to buy tickets in sections 51 through 53, the sections closest to Manny's left field position, will pay $99 (99 being Manny's number) for a pair of tickets, along with a tshirt with the phrase "I was in Mannywood."

If this new promotion was not enough to make the rest of the team green with envy, at least two new murals have been installed downtown, featuring large pictures of Manny Ramirez with the phrase "Mannywood." Considering this is only his second season on the team, this kind of response seems almost overenthusiastic.

This was my mentality when I walked in to my first Dodger game this season. I was not a big Manny fan, he was overrated, and frankly his pants were a few sizes too big. Then on his first time up to bat he cranked one out of the park and the crowd went wild. I have to admit, I now see what all the fuss is about.

Click here to see a video showing a little of the energy that surrounds this guy.

Literary Los Angeles

Books, particularly used books, have long been a passion of mine. Since I read The Hobbit in the 4th grade, I haven't been able to get my hands on enough. Libraries and used book stores have always held a peculiar romance for me; something about poring through the same pages as someone before you, knowing I could be getting the same emotion from it or something completely different. It can be quite thrilling. So, upon arrival in Los Angeles, I attempted to find the cool bookstores around town. I had difficulty finding anything that looked interesting; few used book stores, but a plethora of specialty stores. I don't collect antique books worth thousands of dollars and books on Hollywood or homosexuality don't hold more interest than any other subject. I quickly made the assumption that Los Angeles is not a book town.

Recently I've put this theory into question. The Los Angeles Times Festival of Books was held this past weekend on UCLA's campus. I was not only surprised that the event was being thrown, but who knew thousands of bibliophiles would flock in. Of course the authors, rare books, and book accessories (like book jackets) will be a draw for some, but last year over 130,000 people attended.

Still, one festival does not a book town make. Many attendees probably came from other areas, and this is only one weekend a year. Any town this size should be able to get attendance up for one literary event a year.

But following that thought, I realized LA does have some interesting draws for bookworms. So many interesting authors wrote from or about Los Angeles; one of my personal favorites is Ray Bradbury, who also wrote a great article about a great bookstore in Long Beach (which closed last year). Now that I live in Los Angeles, I have so much fun reading Phillip Marlowe (2nd only to Sherlock Holmes) stories, all of which take place in LA. That's not to mention all the libraries LA has to offer. The Central Library just happens to be my favorite place in the entire city. It is so beautiful! Yesterday I had the chance to visit the Santa Monica library and I was really surprised at everything it has to offer.

It might take a little extra effort to find, but LA can offer a reader a great experience.

Changes in Los Angeles

I've only lived here a few years, but I can see a huge difference in LA's downtown.  I remember hearing about the push to bring more residents downtown, but I didn't understand why this was necesarry, why people didn't live there in the first place.  The more I saw the more I understood- traffic is almost always impossible, restaurants and entertainment areas are few and far between, and safety tends to be a bit of a concern.  

Just as I was starting to experience the real downtown- the hole in the wall restaurants, the street art, the architecture, and the little shops- it changed on me.  LA Live moved in, Ralphs got remodeled, and pubilc transportation will even be simplified soon when the Gold Line is in place.  

My feelings are verified by a recent survey done by downtownla.com.  I have to admit I did not read all 70 pages, but here is the jist: downtown is longer simply a place where people work, it is becoming a destination.  People are coming downtown to visit.  Residents are asking for larger chain stores, like Targets or Trader Joes, to meet the new boom.  No telling what this means for the current residents.  Likely many will be pleased at the new opportunities, but it may have some disadvantages as well.  Los Angelinos will have to wait and see.

What's Good for the Getty?

The Getty Museum, the art museum with the largest budget around, has not been immune to the economic woes shaking the US and the global marketplace. The LA Times recently published an article detailing the budget issues at the museum, along with the staff’s reaction to the changes being made to deal with the crisis. The museum relies heavily on profits from its investments to expand, but the investments have taken a huge hit, losing $2 billion since mid-2007. Layoffs, pay cuts, and the deferment of future purchases are a few of the ways the foundation is dealing with the current crisis. The article also references the Silence Dogetty blog, a blog forum for Getty employees to anonymously comment on conditions at the Getty.

The arts are an important staple to Los Angeles, and the struggles going on at The Getty mean that other venues will be having difficulties as well. This probably isn’t a huge surprise’ during tough economic times, donations drastically drop. This is especially true for the arts. When wallets start getting thinner, supporting the arts becomes a lower priority. For this reason, venues around LA are struggling to keep their operations at the usual high level.

Not just the fine arts are taking a hit; in November, the Music Center in Los Angeles announced cancellations for its summer schedule due to a lack of funds. The Nederlands Dance Theater I will have to wait until the economy improves before they can play Los Angeles.

Film Festivals, which have been growing in popularity in my recent memory, have been closing. Although it may be partially due to the recent overabundance of festivals (note my reference to their rising popularity), the process of weeding out the unecessaries (like New Jersey's Wildwood by the Sea Film Festival) has certainly been sped up by the lack of extra capital floating around.

A quick read of the Silence Dogetty blog shows what the typical US worker feels about reductions in their own workplace. After a first round of layoffs last year, accompanied by a December email expressing the intention of future layoffs, a group of employees created this anonymous forum to articulate their feelings on the unfair working conditions at the Getty. According to James M. Wood, the Getty Trust’s President, the cuts were not a money saving measure but an effort to “reallocate” resources.

So what are the money saving measures? The chief investment officer is focusing on liquidity, lowering investment in expensive projects and neglecting to purchase assets that will be hard to move out later. Basically, this comes down to a minimization on temporary exhibitions and fewer additions to the museum.

Silence Dogetty has another suggestion: lowering the salaries of its highest executives. The newest poll shows that the voters agree,

20% on $500k plus, 15% for $300 - 499K, 10% on $100 - 299K: 81 (67%)
10% on all exempt salaries only: 8 (6%)
5% on all non-exempt and exempt salaries: 11 (9%)
No salary reductions: 20 (16%)

Considering that those who visit the blog are most likely sensitive to staff cuts at the Getty, these results are not surprising. It is even less surprising in the context of the US right now; the trend seems to be toward a redistribution of wealth.

One thing I love about the way the Getty and its staff are dealing with the crisis is never once suggesting a raise in prices. Though visiting the Getty Villa is currently free of charge, no one has yet brought up the possibility of a new entrance fee. The admission fee at the Getty Museum has never been mentioned as flexible. In these times, it is more important than ever to include those from all walks of life in the arts.

Despite the downturn in the economy, art fairs and promotions continue on. Three SoCal art fairs occurred in January alone. The feel of these events may be moving a bit from buying to speculating, but attendance remains high. According to Stephen Cohen, an L.A. Photography dealer, "It's a buyer's market. We expect a big turnout, but it might be that a lot of people are looking, holding on to their money or getting an idea of what to buy when they have some to spend."

Film festivals aren’t dying out either. Despite cutbacks, all sponsors will be returning to this year’s Los Angeles Film Festival. The Los Angeles Music Center received the largest ever donation to support dance in the US. Although the economy has lowered the importance of the arts on the priority lists of many, the donor, Ms. Glorya Kaufman, found inspiration in our situation for her donation. "It's the perfect time," Kaufman said, "because everyone is starting to get into the doldrums. They're not spending money, not doing this, not doing that. What this does is, we can have music on the Music Center courtyard, we can have little bands and people learning to dance. . . . Everyone is happy dancing."

This is a very interesting approach to the recession. It’s hard for me to decide how I feel about it- on the one hand, $20 million could go pretty far in providing jobs, feeding the hungry, or other stereotypically noble pursuits. On the other hand, I have to agree that the recession will be much easier to weather if people are dancing.

So where do I live now?

The LA Time has a fun little project going on right now- in an attempt to create a standard name for every district in LA county, they have set up a suggested zoning/naming and asking for requests for improvements. Currently, I am located in Exposition Park... if my suggestions go through, I will be living somewhere else entirely. While I may still have some qualms about the exact division lines, I am quite anxious for the paper to complete its goal.


I've gotten a bit frustrated n the past, when friends are incapable of telling me where a restaurant is. "It's in, I don't know... Silverlake?" Los Angeles is too sprawling and too varied to be considered one unit; it needs to be broken up. Lines must be drawn and labels must be applied. That is just LA.

Who knows if the plan will work or if the names will stick, but getting directions will sure be a lot easier if it does.

Voting results!

Last night's election brought in a few unexpected results, but for the most part things came out as one would expect. Mayor Villagrosa was reelected, but by a fairly narrow margin when one considers the size of his budget and the fact that he had no serious contenders to defend his title against. In this case, the results might speak volumes more than the final outcome.

The two measure mentioned in this article, E and B, are of a little more interest to me. Measure E would have increased the city council's ability to use money to provide incentives attracting new businesses to Los Angeles. While bringing in more jobs is certainly important, I don't think raising taxes at the expense of current businesses is the correct way to do it.

Measure B was designed to increase funding for increasing the infrastructure for solar power in Los Angeles. The LA Times credits the loss to the fact that the bill would have favored work by utility as opposed to by local businesses.